Note: Please refer to the current course offering schedule for a list of the current academic year course offerings. For expanded course descriptions and grade breakdown details, please refer to our mini-calendar.
Explores cultural expression as a social act. What happens when material culture is caught between opposing forces: artists, consumers, corporations, and governments? To the individual voices of resisting dissidents arguing for originality, individuality, and authenticity? Cultural theories provide tools for analysis of these questions. Areas of concentration include: print media, film, and other forms of popular culture.
Offers students opportunities to engage with the local cultural sector in order to better understand the relevancy of cultural organizations in a multicultural city. The course explores cultural relationships, combining theoretical and experiential components in a blended learning environment where students hone transferable skills and develop professional contacts.
This course considers sound as a social, aesthetic, historical, material, and political phenomenon, highlighting how it integrates with contemporary artistic practices. Students will learn about sound art experimental music; be introduced to the physics of sound; and explore how sonic and extra-sonic forces collide. Through these foci, the course addresses the cultural politics of sound, sound-making, hearing, and performance.
Explores the form, function and content of Spoken Word, in terms of language, rhythm, historical developments, social- political contexts, as well as key artists of poetry, rap, dub, slam, lyricism and spoken word as live and direct purveyors of culture. By examining performance as text and artist/creator narratives, commentaries and cultural discourse, students survey the continuum through African storytelling traditions to contemporary global evolutions of lyricism and spoken word. Students explore the varied modes of oral/aural dissemination - including the stage, the page, audio recording, theatre, film and digital media - and analyze orality and voice as tools of cultural affirmation and resistance. The course includes a writing/performance intensive component
An experiential learning course on the study of memory from a cultural perspective. Topics include: collective vs. individual memory; memory and trauma; memory and media; historical memory; oral memory and testimony.
Explores strategies artists and activists use to create performance poetry, art and political theatre by combining discussion, practice and theory to understand how a variety of performance strategies provoke and enliven audiences, and call for political action. Not open to students who have taken AP/CLTR 3225 3.00 (AK/CLTR 3225 3.00 prior to Fall 2009).
Addresses illness as a narrative device in film and other forms of media and by so doing, raises social and cultural concerns regarding the body, protest, transcendence and healing, as well as gender/sexual politics.
Explores how history has been depicted through popular culture in cinema and other electronic media. Focuses on WWII and its aftermath when filmmakers began to rethink the function of cinematic representation and its political and cultural relationship to the contemporary world.
This course introduces students to Indigenous cinema in the United States and Canada, although films from Mexico, the Andes (Quechua) and Brazil will be screened when available. Students view approximately ten films and read works of film theory and criticism in order to analyze how Indigenous peoples use the moving image to re-present themselves and tell their own stories.
Analyzes popular Black popular culture in Diaspora, including music, film, television, style, contemporary visual arts, and including such issues as production, reception and commodification, through the lens of Black cultural theory.
(Crosslisted to: AP/HUMA 3908 3.00)
Examines the interaction between the creative arts and contemporary legal and social issues presented by new forms of technology, the relationship between copyright and creativity, the concept of creative works as private property, and the conflict between artists and consumers in the digital age. Course credit exclusion: FA/FACS 3360 3.00 (prior to Fall 2011).
Feminist filmmakers deploy film as a provocative cultural form to explore women's complex social and cultural locations and issues. This course explores theoretical and practical points of contact between feminism and film to encourage new readings of the intricate subject women.
Examines individual and collective expression within the context of popular and consumer culture, including such areas as music, activism, the Web, fashion, subcultures, shopping, car culture, fan clubs, zines, TV and film.
An exploration of how a unique Canadian sensibility manifests itself in contemporary cultural forms. Students are encouraged to attend contemporary plays, movies, readings, art shows, and concerts to supplement reading materials.
Surveys historical and contemporary approaches to the texts and contexts of fiction, film, television, music, folklore and fashion. Themes include the industrialization of culture; changing definitions of the popular; genre and gender; the politics of style; nature and other utopias.